![]() His showdown with Hugh Keays-Byrne, playing the lead biker to frightening heights, is effectively built up and memorably executed. At the time of its release, it was simply part of the wave of Australian exploitation films being made through mostly the 70s.Gibson’s Max is sympathetic in this film, but he’s not the sort of weary antihero the character would eventually become. Mad Max didn’t have aspirations to be a long-running franchise. #MAD MAX FILM SERIES MOVIE#Max’s vendetta against a biker gang responsible for his loss is when the movie kicks into a gear that might be more familiar to those who only perhaps know the recent Fury Road. Society is crumbling, and the inescapable madness of watching it destroy his family, his future, and perhaps even whatever identity he thought he had, proves to be too much. We meet Max (Mel Gibson) for the first time, as a police officer who has everything taken from him in short order. With a little less in the way of chaotic action than later entries, Mad Max, for at least the first half, runs as a pretty bleak drama about a world in mid-collapse. The world is not quite in ruins, but it’s hard to imagine things won’t be firmly there by the time we’re done. The film spends a good portion of its running showing the apocalypse in stages of escalation. ![]() Mad Max, at times, can also feel a little disjointed when compared to the sequels it produced. Some find Beyond Thunderdome to be a little too silly, so first-time viewers of these movies should maybe prepare themselves for a steep drop between Mad Max 2 and this. To a point, she succeeds, making this a better-than-average third entry for a film series, but still nothing particularly spectacular. ![]() Her charisma is apparent, and she is clearly working to make a powerful, complex character out of what she’s given. Gibson is fine in his third and final run as Max Rockatansky, but Turner (as well as a very talented ensemble, including Bruce Spence) is arguably this movie’s true star. The presence of Tina Turner, who’s extremely entertaining as the ruler of Bartertown, might be the movie’s biggest saving grace. With a tone of theatricality that doesn’t quite gel with the movie’s darker themes and touches, Beyond Thunderdome is a weird side-trip in a collection of mostly consistent films. The disjointed nature of the film is also prevalent in a plot that occasionally feels like it’s just a very basic setup for the movie’s more memorable moments. The movie eventually also includes a band of feral desert orphans, who help Max in his bid to simply survive whatever the hell might be going on at the moment. Our buddy Max (Mel Gibson) winds up in a fun post-apocalyptic town run by a woman named Auntie Entity, where he’s forced to fight in gladiator contests. Thankfully, and this is noticeably where Beyond Thunderdome shines brightest, he directed the film’s wildly entertaining action sequences. When co-creator Byron Kennedy was tragically killed in an accident, Miller nearly abandoned the film altogether. The disjointed nature of the worst Mad Max movie, also known as Mad Max Beyond Thunderdome, is easy to understand with a little background. Mad Max Beyond Thunderdome (1985) Beyond Thunderdomeĭirectors: George Miller and George Ogilvie Here are the Mad Max movies ranked from worst to best.Ĥ. #MAD MAX FILM SERIES SERIES#As a result, and owing to the talent and sheer enthusiasm of those involved, the entire Mad Max series can make for a satisfying marathon. This is one of those lists where we don’t have a ton of movies to go through. ![]() ![]() That’s important to keep in mind, as we set to ranking every Mad Max movie from worst to best - even the lowest-ranked or “worst” entry has more than enough to at least be entertaining. Not even the actor needs to be consistent for that character to connect with audiences, and new characters such as those introduced in Mad Max: Fury Road proved the series doesn’t even have to rely on Max exclusively.Ĭasts and crews can change, but George Miller as the creative center is one of the reasons why the Mad Max series is always at least entertaining. Times change, but writer and filmmaker George Miller has always been at the helm of a Mad Max film.Īs the co-creator (with Byron Kennedy) and director of all four films, as well as the upcoming Furiosa and probably whatever Mad Max 5 winds up being, Miller has become as essential to the Mad Max series as Max himself. ![]()
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